
By Cam Lindsay
Back in 2006, Montreal party trio Think About Life dropped their self-titled debut album, fulfilled their promotional duties and then wandered off. Matt Shane spent time drumming for noisy pop group Magic Weapon (also featuring Jordan Robson-Cramer of Sunset Rubdown) and working as an artist, Martin Cesar developed his leftfield hip-hop act Dishwasher, and Graham Van Pelt went and earned himself a Polaris Music Prize nod for Five Roses, the debut album by his dream pop solo project, Miracle Fortress.
But TAL have finally returned. Their second album, Family (Alien 8 ), is an unexpected giant leap by the trio, who have completely overhauled their sound. Dropping the lo-fi grit of their debut, they’ve created a much slicker but no less jumbled album that sounds as if it was recorded in Technicolor and warrants 3-D glasses. If you were ever curious to know what TV On the Radio spiked with laughing gas and produced by the Avalanches in Brian Eno’s studio would sound like, well, Family can feed you.
We caught up with the just hours before they brought the party to Toronto’s Over the Top Festival.
You guys are often considered to be a party band. So what makes a good party?
Martin: Some really good vibes, really good food, tons of Doritos, good conversation… the music is smooth and then it gets just pumpin’ [mimicks blaring house beats]. That’s a good party.
Matt: And then there’s a chill out party. You all eat ice cream and lounge about on these nice big cushions…
Graham: Until the music brings it back to a big dance party a bit more!
Martin: It stinks like hell, but everyone’s cool with the stink.
Matt: Yeah, some sweet chili heat…
Graham: With nachos and cheese and cool ranch.
Umm… are you guys looking for a Doritos endorsement or what?
Matt: Well, if they contact us…
Graham: We sent them a few demos.
The first album was very lo-fi and distorted, whereas the new album is so clean, harmonious and filled with all of these R&B type grooves. I almost didn’t recognize you when I first heard Family. What made you take this direction?
Martin: It came naturally over the last three years. Just experimenting with things, trying stuff out live as well. We got some good reactions to these tracks that have this R&B thing, but it’s not fully defined.
Graham: The first album we made soon after we started the band, weeks, maybe months afterwards. We didn’t really know what each other liked that much. But this time around we got to know each other better and became closer friends. So we started sharing our musical tastes a lot more.
Martin: Yeah, and I think that’s where the album title came from. Again, when we started within two months we were playing shows. So, I think Family was more of a collaboration.
You cram a lot into what you do. The music, album artwork and videos are collages. What is it about using so many layers that inspires you guys?
Martin: Layers? Umm, I think it has to do with not being satisfied with just one side of things. I think if you look at us from a closer scale we’re a very complex band. I personally love layers because it just shows that there is more than one thought process. If you can absorb then you can benefit from it but also get confused by it.
Do you each have your own layers?
All: Yeah, sort of.
Matt: It’s a three-layer product at all times.
Martin: A three-layer burrito!
Matt: That’s the name of our next album.
You guys posed with a dog on the cover of Family. Was it difficult getting it to sit still for the cover shoot?
Matt: It took many shots, but [Bodie] was well-behaved. A lot of dogs wouldn’t sit still. It’s our friend Dave’s dog; he owns the studio that we recorded some of the drums at.
Did Graham’s success with Miracle Fortress have any impact on Think About Life?
Graham: Yeah, I mean whatever success there was… specifically, I got some recording equipment out of it and we shared all of the same studio stuff. I guess that’s one way it helped.
It also seemed to be an entry way for people who weren’t familiar with Think About Life.
Graham: Yep, it worked both ways, like before Miracle Fortress. They helped each other out. Although a lot of people tell me they only like one or the other. “Man, I love Think About Life, but that Miracle Fortress record is a little wussy!”
You all have your own “other projects.” Would you say Think About Life has traces of all of those projects?
Martin: I would say that it does happen for me. My Dishwasher project is a very personal project, but sometimes I think maybe something would work better in Think About Life.
Graham: Yeah, there are a couple of songs on Family that started as Miracle Fortress songs. But then I quickly realized they wouldn’t work.
It’s been a few years since Montreal was considered Canada’s epicentre for emerging music. Is it still thriving?
Graham: There is always going to be tons of musicians, like Toronto.
Matt: I don’t think it’s thriving any more than when Spin was covering it [in 2005].
Martin: Montreal is cheap to live there, the rent is cheap.
The label’s press release claims “Family can also serve as a floatation device in case of bad-vibes.” Has this been tested out?
Matt: We can’t be liable for using our CD improperly, but yes, it does work as a floatation device.
Graham: Underneath that press release in extremely fine print is a legal release that gets us out of any trouble from this.
You can listen to Family in its entirety by clicking here.
[Photo by Richard Lam]
Tags: interviews, think about life
Posted in The New Music | No Comments »
By Liem Vu
From Karaoke Kid to Justin Timberlake’s protégé, Esmee Denters is set to drop her debut album, Outta Here, on May 22 (only in Holland…boooo) under the SexyBack singer’s Tennman Records. At the young age of 20-years-old, Denters has had an impressive track record of having a uniquely crisp, resonate and youthful voice that has pierced the YouTube stratosphere much to the delight of her over 200,000 subscribers and 2 million plus viewers.
Performing covers from Justin Timberlake, Beyonce and Alicia Keys (just to name a few) on YouTube, the then-18-year-old Dutch singer caught the eye of Timberlake who signed her on to be his first artist under his label and subsequently announced her as an opening act on his 2007 FutureSex/LoveSounds Tour. Late last week, the world got a glimpse of Denters in her first music video for “Outta Here” where she shed her webcam and her meek wardrobe for a far more flashy, racy but still age-appropriate demeanor.
This NewTune doesn’t necessarily break pop convention but its use of euro-inspired instrumentals along with the Kevin Rudolph-esque electric guitar progressions make it just as catchy as any anthemic Rihanna single.
Plus, it doesn’t hurt that Esmee has the whole “I-know-I’m-sexy-but-I’m-wholesome” thing for her. Heck, she even makes the clichéd motif of clubbing with a wind machine kind of work. But I have to say its pretty funny how blatant the product placement is when Denters uses not one but two HP laptops. I’m not sure about you guys but I find product placement incredibly distracting and detracting from the music.
Anyways, enough yammering and check out Esmee Denters. Hopefully we’ll get a North American release very soon. I’m going to take a break with my 120 GB Zune that can hold up to 30,000 songs, 25,000 pictures, or 375 hours of video.
Watch: Outta Here
Website: MySpace
Tags: esmee denters, newtune
Posted in The New Music | No Comments »

Drake. Drizzy. Young Lion. Aubrey. Call him what you like, but don’t call him an up-and-comer - the dude is already a star. How else do you explain a sold-out show at Sound Academy for an unsigned artist? How else do you explain 2300 people spending $40 A POP, clamoring to see an artist who has yet to drop an album? Up-and-coming, please. Drake is already here.
To be purposely corny, you could feel electricity in the air before the show kicked off. Drake calls Toronto home and this was his hometown crowd, chanting his name 45 minutes before he appeared. The tiny backstage was sardined with supporters including Kardinal Offishall, everyone anxious to see what could one day be spoken of as a legendary event.
Tags: concert reviews, drake
Posted in Concerts | 1 Comment »

Lily Allen is the cutest and also one of the coolest. I mean, I’m not biased or anything - maybe slightly - but you can’t hate on a lady who lets loose on stage… dancing like you would in the safety of your bedroom, comfy in some Air Jordans, lighting a cigarette, having a drink, giggling like she’s maybe a little self-conscious up there, discussing her under-attire Spanx, moaning about on-tour weight gain. You get my drift.
Lily changed venues to the Sound Academy after fans ravenously scooped up her first block of tickets set for The Phoenix Concert Theatre. And this place was paaaacked! She busted out from backstage with “Everyone’s At It” (or as her setlist says, “Everyone’s A Tit”) and then “I Could Say”. Throughout the night she stuck mostly to her latest album with a few tracks from Alright, Still thrown in for extra spice.
More, plus photos after the jump!
Tags: Concerts, lily allen
Posted in Concerts, Photos | No Comments »

Ok, look - I’m sorry. I’m a lady of pop/hip-hop orientation, so pardon my ignorance when I see the band name PLUSHGUN and immediately pull out my Nerf assault rifle. Target practice aside, let’s get to the bottom of this Brooklyn trio. Indie/synth pop, you say? Noted. Online following? It’s the new American way. Lead single “Just Impolite” featured on MTV’s The City? Icing on the cake. Full album available for your listening enjoyment? Expect no less.
Plushgun was apparently discovered and signed by Tommy Boy Records at South by Southwest, and now I have discovered Plushgun, and now you have either discovered them too, or you discovered them way before me (trendsetter!!) and now you’re just discovering that you can listen to their first album Pins & Panzers like, now. I WILL NOT APOLOGIZE FOR MY RAMBLING RUN-ON SENTENCES!
PS: Listen to Pins & Panzers in full right now!
[image from band's MySpace]
Tags: first spin, plushgun
Posted in News | No Comments »