If anyone has ever complained about their favourite artists taking their sweet time between releasing new music, it certainly wasn’t a Fiery Furnaces fan. Since Eleanor and Matthew Friedberger debuted with 2003’s Gallowsbird’s Bark, the sibling duo have consistently hit each calendar year with something new, and usually, pretty exquisite.
Having made their biggest impact with 2004’s multi-dimensionally extraordinary concept album Blueberry Boat, Fiery Furnaces have never phoned in any of their releases. Sure, Rehearsing My Choir (2005) was virtually unlistenable (only because their grandmother provided vocals) and Remember (2008) was an exhausting 51-track live album, but at least they demonstrated great effort was behind both. And as far as studio efforts centred around the duo’s strong points (Eleanor’s vocals, Matthew’s instrumental idiosyncrasies) go, Fiery Furnaces are virtually alone in their field.
Their third effort for Thrill Jockey and proper follow-up to 2007’s underrated Widow City, I’m Going Away is arguably their most coherent, straight release since their debut. Normally a band this eccentric wouldn’t regress after six years, but their seventh album feels more like they took the opportunity to take a breath and have some fun without following any sort of strict narrative. (Anyone looking for something a little more challenging, well, the Friedbergers have already announced two upcoming releases: a “silent record” and a box set titled DEMOC-ROCK, which finds them writing music around handwritten lyrics submitted by fans at some of their concerts. Uh huh…)
I’m Going Away finds strong middle ground between their straight-up pop and whimsically prog tendencies. Matthew’s back and forth between childlike piano rolls and scorching hot ’70s psych riffs provide a kaleidoscopic playground for Eleanor on both “Keep Me In The Dark” and “Cups and Punches,” while “Drive To Dallas” and “Cut The Cake” take on looser, jazzier directions.
Overall, it’s a wonderful mishmash of vibrant and virtuosic musicianship, accentuated by eclecticism that only Fiery Furnaces can offer.
Listen to it Here
Artist: Fiery Furnaces
Album:I’m Going Away
Release Date: July 21, 2009
Label: Thrill Jockey Records
Genre: Indie Pop/Rock
Author: Cam Lindsay
First Spin Live Until: July 28, 09
Track Listing:
Tags: Fiery Furnaces, first spin
Posted in Reviews, The New Music | 1 Comment »
By looking at him, you wouldn’t expect Sean Bones to play the part of a “reggae kinda guy,” but that’s exactly what this tall, scrawny white boy has become. Sean (real last name is Sullivan) fulfils his stereotype by spending the rest of his time in slacker-ish indie band Sam Champion and he’s admitted that this solo project actually came up by accident.
With an itch to make a summery reggae record, Sean cut a 7″ for a limited S/S FRIENDS swim trunks fashion line he began with his girlfriend. Well, one thing led to another, and soon esteemed MP3 site RCRD LBL caught on, followed by Frenchkiss Records (Les Savy Fav, The Dodos), which offered to put out a full-length.
Sean describes it as “music that might cause people to scratch their heads a bit, only to realize that scratching their heads would make a good dance move.” I can’t really argue with that. My initial reaction was a jaded one, purely because the thought of some indie kid trying his hand at something as sacred as reggae seemed a bit offensive. And then I discovered that the guy actually went to Jamaica and shot a film called Wah Do Dem, about a clueless (white) loner naked, robbed and stranded in Kingston mourning a break up (with Norah Jones, no less). Now that’s an education!
While it’s nowhere near original, Sean Bones does homage with the best intentions. Rings is a soundtrack for getting drunk off Long Island iced teas and dancing till dusk. Light and breezy, sunny and carefree, what Rings does best is provide that kind of escapism for the listener that Bones so desperately sought out for himself. Single “Dancehall” perfects the kind of dubby crossover Franz Ferdinand failed to do with their recent remix album, and “Easy Street” mashes up a simple pop vibe with a credible stab at ska.
And you better believe he cashed in that connection with Norah Jones, for a sundown-perfect duet on album closer, “Turn Them.”
As refreshing and enjoyable as Rings is, more than anything, Sean Bones confirms that judging a book by its cover can make you miss out on a great thing.
Listen to it Here
Artist: Sean Bones
Album:Rings
Release Date: July 21, 2009
Label: Frenchkiss Records
Genre: Indie Reggae
Author: Cam Lindsay
Track Listing:
Photo credits: Kiki Allgeier


Tags: first spin, Sean Bones
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As Sigur Rós are currently wrapping up their sixth studio, the band’s singer/guitarist/most recognizable face Jónsi (aka Jón Þór Birgisson) has chosen to unveil his side-project with boyfriend Alex Somers to a wider audience.
The couple have spent the last six years collaborating on small scale works involving both visual pieces and music, which includes various exhibitions, a limited edition picture book and a couple of singles. Finally, on July 21st, Jónsi & Alex (their official name) will release their debut album, Riceboy Sleeps.
Of course, with these types of offshoots, expectations will be for something akin to the spatial and expansive beauty of Sigur Rós and Riceboy Sleeps arguably supplies even more of a natural sound. Inviting regular Sigur Rós collaborators and fellow Icelandic musicians Amiina and the Kópavogsdætur Choir, the album was made utilizing only acoustic instruments and solar-powered laptops in a “raw food commune in some far corner of Hawaii.”
What catch most people off-guard, is the more ambient, instrumental lean of the music. While Sigur Rós is usually recognized for Jónsi’s soaring falsetto that is often sung in the made-up language of Hopelandic, the pair eschew vocals on the majority of the album, save for standout “Boy 1904,” a haunting bit of Eno-like lullaby featuring the choral pipes of the last known castrato ever recorded.
With Riceboy Sleeps, Jónsi & Alex have conjured up a stunningly organic ambient recording full of incidental field recordings and demonstrative orchestrations that is as powerful as it is fragile.
Listen to it Here
Artist: Riceboy Sleeps
Album:Riceboy Sleeps
Release Date: July 21, 2009
Label: XL Recordings
Genre: Indie Pop/Rock
Author: Cam Lindsay
Track Listing:
Tags: first spin, Jónsi & Alex, Riceboy Sleeps, Sigur Ros
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The Most Serene Republic have always been an overreaching, adventurous bunch. Back in 2005, when they released their debut album, Underwater Cinematographer, ears perked up over the type of effervescence and ability these kids from Milton, Ontario so effortlessly demonstrated. The band joined the Arts & Crafts community and gave the rather dry, predictable indie rock scene a much needed combination of rhythmic whiplash, melodic indulgence and impulsive showmanship.
While they always had the chops to throw down any number of eyebrow-raising arrangements, there was always a sense that TMSR weren’t quite meshing their ambitions together accordingly. Well, fast-forward four years, three other records (2006’s Phages EP, the following year’s Population album and companion remix EP, Digital Population), not to mention a rotation in the line-up, and the septet have finally delivered on their promise with a statement I didn’t see coming.
Recorded with Broken Social Scene’s in-house producer Dave Newfeld, the band’s third full-length, …And the Ever Expanding Universe, begins with a grand proclamation in “Bubble Reputaton,” an urgent opus filled with dizzying twists and turns. From there both “Phi” and “Four Humours” borrow some ancestral inspiration from forefathers Broken Social Scene with heavy distortion and tight Teutonic drumming.
But it’s the album’s central couplet of “All of One is the Other” and “Patternicity” that really introduces the listener to this TMSR’s unlimited ability. The former is a sweeping comedown accentuated by undulating piano keys and languid vocals. The latter is arguably the finest moment of their six-year career: an instrumental juggernaut that eschews the band’s more pop tendencies for classical brilliance and a string-led, dramatic arc that sounds as though it was designed for a BBC natural history series.
Don’t let their aspirations fool you, …And the Ever Expanding Universe is more of a loose, kaleidoscopic pop album than it is a young band indulging in some overexcited prog rock gesturing.
Listen to it Here
Artist: The Most Serene Republic
Album: …And The Ever Expanding Universe
Release Date: July 14, 2009
Label: Arts & Crafts
Genre: Indie Pop/Rock
Author: Cam Lindsay
Track Listing:
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Discovery is equal parts Rostam Batmanglij and Wes Miles. If their names sound remotely familiar, that’s because you’ve most likely heard their other bands. Batmanglij spends most of his time playing the organ and miscellaneous instruments in Vampire Weekend, while Miles is better known as frontman for Ra Ra Riot.
Formed back in 2005, Discovery has finally come to fruition with a debut album simply titled LP. Anyone expecting similarities to either member’s other bands will be both a bit disappointed and plenty surprised by what this pair have come up with. Though it can be argued that some of the shuffling rhythms and rich harmonies resemble the Afro-inspired pop of VW, Discovery is a rather minimal project built around simple ideas “where everyone plays synthesizers” and “handclaps keep the backbeat instead of snares drums.”
The results are a shimmering blend of pulsating electronics and vibrant, Caribbean harmonies recorded with a delightfully lo-fi slant. The two share the vocals along with guest takes by Batmanglij’s VW bandmate Ezra Koenig (“Carby”) and Angel Deradoorian from the Dirty Projectors (“I Wanna Be Your Boyfriend”), which presents a rainbow of melodies as sweet and colourful as a Skittles ad campaign.
Not unlike Ben Gibbard and Jimmy Tamberello’s über successful one-off stint as the Postal Service, Discovery is an unexpectedly enjoyable venture between two parties on vacation from their day jobs.
Listen to it Here
Artist: Discovery
Album: LP
Release Date: July 7, 2009
Label: XL Recordings
Genre: Indie Pop/Rock
Author: Cam Lindsay
Track Listing:
1. Orange Shirt
2. Osaka Loop Line
3. Can You Discover?
4. I Wanna Be Your Boyfriend [ft. Angel Deradoorian]
5. So Insane
6. Swing Tree
7. Carby [ft. Ezra Koenig]
8. I Want You Back
9. It’s Not My Fault (It’s My Fault)
10. Slang Tang
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So what is the Rural Alberta Advantage? Well, according to Nils Edenloff, it’s a philosophy his brother came up to describe the finer, simpler side to growing up in the land of gas and oil. It’s also the name of the band the singer/guitarist shares with drummer Paul Banwatt (also of Woodhands) and keyboardist/singer Amy Cole.
Oddly enough, they came together at an open mic night in Toronto as an outlet for Edenloff to address his homesickness for the province he left behind. A few line-up changes, gigs with friends like Henri Faberge and the Adorables and Ohbijou, and a self-recorded/released EP later, the band were primed to move to bigger and better things.
Their debut album, aptly named Hometowns, first premiered at gigs in early 2008, sold at merch tables during gigs and eventually via eMusic.com, as part of its eMusic Selects series. And on July 7, the band will see a proper home given to Hometowns, thanks to Saddle Creek Records (Bright Eyes, Tokyo Police Club, The Faint).
Full of wistful referencing (i.e. “The Dethbridge in Lethbridge,” “Frank, AB”), the album is a postcard written to home sweet home in the form of rapid-fire rhythmic fits, mopey melodies and folk-infused indie rock idiosyncrasies last heard by the godlike Neutral Milk Hotel.
Listen to it Here
Artist: The Rural Alberta Advantage
Album: Hometowns
Release Date: July 7, 2009
Label: John Dear / New Prey
Genre: Indie Pop/Rock
Author: Cam Lindsay
Track Listing:
1. The Ballad of the RAA
2. Rush Apart
3. The Dethbridge in Lethbridge
4. Don’t Haunt This Place
5. The Deadroads
6. Drain the Blood
7. Luciana
8. Frank, AB
9. The Air
10. Sleep All Day
11. Four Night Rider
12. Edmonton
13. In the Summertime
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Stripped down and simple may be how Taylor Kirk functions, but Timber Timbre is equally as profound and vivid. The Toronto musician has built a reputation over the last few years with his echo-drenched, lo-fi blues, releasing two albums - 2006’s Cedar Shakes and 2007’s Medicinals – that have built him a steadily growing audience.
However, 2009 has proven to be a breakout year with the release of a third Timber Timbre album, aptly titled Timber Timbre. Originally released back in January via Out of This Spark , the album found its way onto the highly coveted Polaris Music Prize longlist. If that wasn’t enough of an attention-grabber, the album will receive a re-release by indie heavyweight Arts & Crafts on June 30th.
As always Kirk was the driving force behind Timber Timbre, but some assistance came from Forest City Lovers’ Mika Posen as well as the gorgeous pipes of Bruce Peninsula’s choir and producer Chris Stringer, who’s served behind the board for artists such as Rush, The D’Urbervilles and Ohbijou’s recent Beacons. While it features some more bodies, the album still radiates with an organic touch as the organ, harmonica, guitar, strings or what have you brush up against Kirk’s bluesy whisper, which caresses like a velvet touch.
Check out Timber Timbre HERE and fall under the spell. It’s impossible to fight…
Artist: Timber Timbre
Album: Timber Timbre
Label: Arts & Crafts
Release Date: June 30, 09
Genre: Indie/Pop/Rock
Author: Cam Lindsay
Track Listing:
1. Demon Host
2. Lay Down In The Tall Grass
3. Until The Night Is Over
4. Magic Arrow
5. We’ll Find Out
6. I Get Low
7. Trouble Comes Knocking
8. No Bold Villain
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Super fresh New York band, Amazing Baby have just released their full-length album, Rewild following their debut EP, Infinite Fucking Cross that was a free digital download back in July 2008.
(more…)
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It’s never fun when a band you love pack it in. Especially when a member or members later on resurface with newfound inspiration to make music that they feel is so much “truer to their artistry and integrity.” Yuck. None of that please…
So when it was announced four years ago that Welsh sludge punk cynics Mclusky were calling it a day, there was reason to be sad. But then also suspicious when members Andy “Falco” Falkous (singer/guitarist) and Jack Egglestone (drummer) reappeared a few months later with bassist Kelson Mathias in Future of the Left.
Boy was I wrong for doubting them. I have to admit though, when FOTL released their debut album, Curses, back in September 2007, I kind of snubbed it. I think it was an act of protest or maybe just doubt, but boy was I foolish. Going back to it now, I’ve discovered that the album is one of those rare affirmations that we don’t have to settle for throwaway post-break-up bands like Angels and Airwaves and +44, or even Foo Fighters.
June 23rd sees the release of FOTL’s second album, Travels With Myself and Another, not only an even stronger effort by the band, but also one of the year’s better pop records. Pop? What? Yes, behind the coarse guitars and that scathing yet amusing commentary spat by frontman Falco are 12 tightly wound ragers that are as well-endowed in the hook department as anything atop Billboard’s Hot 100.
Of course, that’s all just my opinion. Do Future of the Left stand a chance of ever sitting above a Jonas or Miley record? Give the album a listen and decide for yourself. You’ll likely say no, but I guarantee you’ll have the urge to all of a sudden start “Throwing Bricks At Trains” or go harass some “Lapsed Catholics” afterwards.
Listen to the entire album first spin HERE
Artist: Future of the Left
Album: Travels With Myself And Another
Release Date: June 23, 09
Label: 4AD Records
Genre: Rock/Punk Revival
Author: Cam Lindsay
Track Listing:
1. Arming Eritrea
2. Chin Music
3. The Hope That House Built
4. Throwing Bricks At Trains
5. I Am Civil Service
6. Land Of My Formers
7. You Need Satan More Than He Needs You
8. That Damned Fly
9. Stand By Your Manatee
10. Yin/Post-Yin
11. Drink Nike
12. Lapsed Catholics
Posted in The New Music | 1 Comment »

Artist: Tiny Masters of Today
Album: Skeletons
Release Date: June 16, 09
Label: Mute Records
Genre: Lo-Fi Pop/Punk Revival
Author: Cam Lindsay
Kids are nothing new to pop music, but as far as indie rock is concerned, there aren’t many 11-year-olds out there touring, recording with their idols and signing record deals with a label like Mute (legendary home to Depeche Mode, Moby and Goldfrapp, to name a few). And that’s what makes Tiny Masters of Today - Ivan and Ava, no last names please - a pair of Brooklyn-based siblings, so unique.
(more…)
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